摘要
香港女导演许鞍华从探讨人性的角度来展开其电影中两性形象的塑造。她的叙事立场更多地基于人道主义,而非女性主义。许鞍华大多数电影的性别立场是温和的,性别意识较为含蓄。
In her movies, Ann Hui shows the shaping of the images of both sexes from the angle nature. Her narrative standpoint is mainly on humanitarianism, not on feminism. And the standpoint in most movies directed by her is mild, and her gender consciousness is comparatively reserved.
出处
《南京师范大学文学院学报》
CSSCI
2008年第4期146-151,共6页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
许鞍华
香港电影
女性导演
Ann Hui, Hong Kong movie, female director of human of gender