摘要
对中华传统乐理中关于黄钟音的弦长一定和"倚声填词"作品风格是否可以迥异等使人困惑的两个问题作了分析,指出了声音振动频率与弦长、张力及弦单位长质量的关系,认为"倚声填词"必须考虑该词牌曲的音乐特性。同时对文中所涉及的中华传统乐理进行了浅显易懂的阐述。
The paper discusses two puzzling questions in classical Chinese music theory of whether chord length in Huangzhong can be treated differently as the traits in the "Composition of Ci According to the Tune". It points out the relationships between the vibration frequency of sound, chord length, the strain and the quality of chord length. Also the paper holds that the music representing characters for the names of tunes to which the ci poem are composed must be taken into consideration when the "composition of ci according to the tune" is done. Meanwhile the classical Chinese music theory concerned in this paper has been briefly expounded.
出处
《洛阳理工学院学报(社会科学版)》
2008年第3期30-34,共5页
Journal of Luoyang Institute of Science and Technology:Social Science Edition
关键词
黄钟
十二平均律
三分损益法
倚声填词
宫调
韵律
Huangzhong
twelve-tone equal temperament
San-Fen Sun-Yi (Subtracting and adding of one-third)
palace tune
rhythm