摘要
《聊斋志异》一书快意恩仇。蒲松龄借因果报应之说而转换了其实际内容,其因果报应篇章的审美情感和特征主要表现为:报应内容的社会化和道德化,行为主体的动机化和情感化,小说叙述的艺术化和个性化。其主调是与《聊斋》文奇义正、寄托遥深的整体精神相契合的。
Strange Tales from a Lonely Studio is on gratitude and revenge. Pu Songling transformed its actual content by means of karma. The aesthetic emotions and characteristics of stories about karma are as follows： the content of karma is socialized and moral; the main characters＇ behaviour is motivated and emotional; the narration is artistic and personalized. The theme corresponds to Strange Tales from a Lonely Studio, whose articles are unusual yet morally correct and whose spirits are profound.
出处
《浙江海洋学院学报（人文科学版）》
2008年第3期41-45,共5页
Journal of Zhejiang Ocean University(Humane Science)
基金
浙江省教育厅2007年度科研计划项目<<聊斋志异>中的生命情态研究>(编号:20070422)的阶段性成果之一
关键词
《聊斋志异》
因果报应
审美情感
Strange Tales from a Lonely Studio
karma
aesthetic emotion
