诗化的舞台——从《等待戈多》看荒诞派戏剧的诗化倾向

Poetic stage——From "Waiting for Godot" Absurd theater to see the tendency of the poems

在对人类荒诞存在状态的表现上,荒诞派戏剧可以说达到了内容和形式的完美结合。在内容上,荒诞派戏剧在对传统戏剧的"反叛"中实现了对传统戏剧基本模式的"回归"。在"回归"与"反叛"的过程中,戏剧的美学特点被淡化。在形式上,荒诞派戏剧无论是总体形态还是在叙述语言上,都呈现出极明显的诗化倾向。荒诞派戏剧的代表作家贝克特的《等待戈多》便是诗化倾向最为显著的代表。

Absurdity of human existence in the state＇s performance, Absurd drama can be said to the content and form the perfect combination. Absurd drama has been the traditional drama in the ＂rebels＂ to achieve the basic mode of drama to ＂ return. ＂ ＂ Reunification＂ and ＂rebel＂ in the course of the drama aesthetic characteristics be diluted. In form, regardless of the Absurd drama is described in the overall shape or language, show a clear tendency of poetry. Absurd drama on behalf of the writer Samuel Beckett＇s ＂ Waiting for Godot＂ Poetry is the tendency of the most notable representatives.