摘要
在蒋捷词的研究中,其词派归属和艺术风格历来是众说纷纭的焦点。从语言层面对蒋捷词进行深入具体的分析后,不难发现蒋捷坚持的是"本色当行"的词法,抒发的是泛着冷光的寂寞情怀,追求的是幽深婉曲的艺术效果。他与姜夔和吴文英有着较深的艺术渊源关系,所以其词从总体上讲并非所谓"豪放词"之余韵。
The artistic style and features of Jiang Jie＇s ci remain to be controversial. The paper analyzes the commonly used words in Jiang＇s ci and finds that Jiang sticks to a graceful and restrained style in the creation of ci, expresses the affection of loneliness and solitariness, and pursues the artistic effects of implication and euphemism. Jiang has a close connection of artistic style with Jiang Kui and Wu Wenying, so his ci cannot be put into the group of the ci characterized by an unconstrained and forceful style.
出处
《西南交通大学学报（社会科学版）》
2008年第6期36-40,共5页
Journal of Southwest Jiaotong University(Social Sciences)
基金
成都信息工程学院科研基金(CRF200645)
关键词
蒋捷
《竹山词》
本色当行
豪放词
姜夔
吴文英
Jiang Jie
Zhu Shah＇s ci
a graceful and restrained style
ci of an unconstrained andforceful style
Jiang Kui
Wu Wenying
