试析《棋王》的审美意趣

Some Ideas about the Aesthetic Interest and Charm in Chess King

阿城在20世纪80年代选择了不同于伤痕文学、反思和改革文学的创作道路,改变了长期以来作为"权力"依附的僵硬的话语模式,从而使小说获得相对独立的精神和独特的韵味,给读者留下别样的审美空间和意趣。

In the 1980s, Ah Cheng ehose to write novels of a new type that were different from those of trauma literature, of reflection and reform literature, changing the rigid pattern of discourse which serves as appendage to ＂ power＂, thus making it possible for novels to get a relatively independent spirit and a distinctive charm, leaving the reader a space for the appreciation of their interest and charm.