摘要
诗性批评是诗性思维支配下的文学审美批评活动。诗性批评不同于逻辑思维的分析型批评,诗性批评通过对事物形象性的、情感体验性的熔铸,以象征、比喻的言说方式来表达批评家对文本的内心感受和体验的主观印象。诗性批评的精神思维的核心,就是体验性、感悟性和主观性。其形成了"寓理于物"、"寓理于情"的批评特征,也由此导致所表达的思想观念的模糊性、多义性。诗性批评是中国古代文学艺术批评的主要方式。而闻一多的诗性批评有其特点:它既是在西方现代多学科视角下的审美观照,又是对中国诗性批评传统的继承和延伸。
Different from the analytic criticism based on logic thinking, poetic criticism expresses the inner feeling and subjective impression of the critic through emotional description and imageries with symbolic and metaphorical language under the guidance of poetic thinking. Poetic criticism is experiential,intuitive,and subjective, full of imagery and strong feeling of the poet. Therefore, the most striking features of it are indefiniteness and ambiguity. Since poetic criticism was a dominant approach to literature and art in ancient China, this text tries to explore the features of Wen Yiduo's poetic criticism,which was the result of both the heritage and extension of the poetic criticism of ancient China, and of the application of the multi-disciplinary perspective in the modern west.
出处
《武汉理工大学学报(社会科学版)》
CSSCI
2008年第6期907-913,共7页
Journal of Wuhan University of Technology:Social Sciences Edition
关键词
闻一多
诗性思维
诗性批评
中国文学理论和批评的诗性传统
Wen Yiduo
poetic thinking
poetic criticism
the poetic heritage of literary theory and criticism in China