摘要
女人在尼采的生活和思想中经历了一个从生物学性别到隐喻和意象的发展过程。作为隐喻和意象的女人在尼采的思想创造活动中扮演了幕后动力的角色,是尼采创造力的源泉。女人从一种生物学意义上的性别到隐喻和意象的变化具有重要的理论意义,从此女人可以进入哲学研究的领域了。使女人入哲学,是尼采的一大功绩。
The featuring of woman in Nietzsche's life and thought switches from biologic sex to metaphor and imago. Woman as metaphor and imago in Nietzsche's intellectual creative practice works as a backstage impetus, constituting the source of Nietzsche's creativity. The role-switching from biologic sex to metaphor and imago is of theoretical significance; hereafter woman can enter into the field of philosophical research. It is a merit of Nietzsche who renders woman into philosophy.
出处
《深圳大学学报(人文社会科学版)》
CSSCI
北大核心
2008年第6期27-32,共6页
Journal of Shenzhen University:Humanities & Social Sciences
关键词
尼采
女人
意象
神经症
F. W. Nietzsche
woman
imago
neurosis