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司汤达,女权主义者?——从《红与黑》中的女性形象说起

Stendhal, is he a feminist?——Talk from two female images in Red and Black
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摘要 法国作家司汤达塑造的女性形象人物往往比男性人物要动人。波伏娃曾赞扬他说":司汤达既是十足地浪漫主义的,又是决断地女权主义的。"文章从分析其作品《红与黑》中的两位女性形象入手,对司汤达是决断的女权主义的评价提出自己的看法。 Usually, the French writer Stendhal's female characters are more moving than that of the male. Beauvior had praised: "Not only is Stendhal a true romanticism writer, but also a determined feminist." Beginning with the analysis of the two female figures in Stendhal's Red and Black to frame my opinion about Stendhal is a determined feminist.
作者 王爱红
出处 《福建师大福清分校学报》 2009年第1期26-30,共5页 Journal of Fuqing Branch of Fujian Normal University
关键词 母亲替代物 欲望对象 男性视角 mother's substitute, desire object, male's view
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  • 1[4][9][10][11][12][14]Dylan Evans, An Introductory Dictionary of Lacanian Psychoanalysis ( London and New York, Routledge), 1996,p.36,p. 115 ,p. 125, p.72,p.37,p.38,p. 105.
  • 2Jacques Lacan, Ecrits, A Selection, trans. Alan Sheridan ( New York and London, W. W. Norton & Company, 1997), pp. 1-7.
  • 3约翰·斯特罗克编:<结构主义以来--从列维·斯特劳斯到德里达>,渠东等译,辽宁教育出版社、牛津大学出版社1998年版,137页.
  • 4Bice Benvenuto and Roger Kennedy, The Works of Jacques Lacan, An Introduction ( New York, St. Martin's Press, 1986),pp. 57-58.
  • 5Mark Bracher, Lacan, Discourse, and Social Change, A Psychoanalytic Culture Criticism ( Ithaca and London, Comell University Press, 1993), pp. 37-38.
  • 6[18]司汤达:<红与黑>,胡小跃译,漓江出版社1997年版,原序8页.
  • 7Juliet Flower Mac Cannell, Oedipus Wrecks: Lacan, Stendhal and the Narrative Form of the Real, in Robert Con Davis ed., Lacan and Narration, The Psychoanalytic Deffirence in Narrative Theory (Baltimore and London, the John Hopkins University Press,1983) ,p.924.
  • 8Alexandre Kojeve, Introduction To the Reading of Hegel, Lectures of the Phenomenology of Spirit (Ithaca and London, Cornell University Press, 1969), pp. 3-8.
  • 9有意思的是,于连临死前,想起丹东上断头台前说的一段话,"这真奇特,斩首这个动词,不能有各种时间的变化.我们可以说,我将被斩首,你将被斩首,但不能说,我已经被斩首".显然,因为"我"的被斩首即"我"的死亡属于真实界,是任何象征符号系统所无法表征的.
  • 10司汤达:<红与黑>,罗君玉译,上海译文出版社1979年版,614页.

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