民间的狂欢:狂欢化视野下的潮汕民歌

Folk Revel: Chaoshan Folk Songs in Perspectives of Revelry

潮汕的民歌具有悠久的历史和极高的文学价值。潮汕古民歌由居住在潮汕的疍、畲、獠、俚等少数民族传唱,但根据潮汕民歌文献资料记载,至迟在明代潮汕地区已经有民歌文献资料存在,而清代以后潮汕民歌呈现了辉煌状态,渐渐被地方文献和文人笔记、诗词所关注。这些民歌呈现了潮汕地区丰富的人文景观,狂欢化的精神便是这种人文景观的直接呈现。本文拟从巴赫金诗学出发,探讨潮汕民歌的狂欢化精神。

Chaoshan folk songs have long history and extremely high literary value. The ancient folk songs in Chaoshan area were sung by the ethnic minorities like Dan, Yu, Liao, and Li, etc. According to the folk song literature in the area, there were already literature record about the folk songs as early as in Ming Dynasty, and, since Qing Dynasty, the folk songs has become so popular that they became the concerns of local literature record, of the notes by men of letters and of poems. These folk songs re-flect rich cultural landscape in the area and the direct presentation of the landscape is the revelry spir-it. This paper tries to probe into the revelry spirit of the folk songs under the guidance of Palestinian Hekking Poetics.