摘要
胡金铨系"影戏"美学集大成者,其电影文本之"中国美学"为国际学界认可,具有重要阐释价值。本文旨在清理其电影美学体系的核心元素,总结其美学架构,有效推进基于中国文化立场的电影研究。
King Hu is a master of movies aesthetics. The "Chinese aesthetics" in his movies is acknowledged by the international art circles and is of important value. The paper aims to sort out the core elements of the movies aesthetics system, sum up the aesthetic framework so as to promote movies research based on the position of Chinese culture.
出处
《浙江艺术职业学院学报》
CSSCI
2008年第3期73-77,共5页
Journal of Zhejiang Vocational Academy of Art
关键词
胡金铨
武侠电影
中国美学
King Hu
martial art movies
Chinese aesthetics