“思乡的蛊惑”:《朝花夕拾》及其他——论鲁迅的“第二次绝望”与思想的发展

"The Homesickness Confuse":Zhaohuaxishi and the Others——On Lu Xun's "Second Despair" with the Development of Thinking

面对以1923年的沉默为标志的"第二次绝望",鲁迅写作了《朝花夕拾》、《野草》和《铸剑》等"故事新编"作品。这些作品一方面显示了鲁迅在"思乡的蛊惑"中,回到故乡与童年的记忆中寻求精神的抚慰与依托,在某种意义上构成了鲁迅此一时期的"安魂曲",另一方面又昭示出鲁迅在走向底层民众"鬼的世界"中,在从这一底层的"阴间"世界抵抗"正人君子"的阳间世界的斗争中思想的发展。同时,"故乡"不仅为鲁迅抗争心灵的黑暗与虚无提供了一种价值的视野与资源,也提供了抗争的动力与方法,在抵抗黑暗与虚无的斗争中,还张扬起一种独立抗争的"复仇"精神,《铸剑》正是这一精神的艺术象征。

In 1923, faced of the silence as the hallmark of Lu Xun＇s ＂second despair＂, Lu Xun wrote Zhaohuaxishi, Weeds, Swords and some New Stories works. On the one hand, Lu Xun come back to the home and childhood memory of the spirit of seeking comfort and support. On the other hand, he went into the bottom of the public to a ＂Ghost World＂, which showing the thinking of the development of Lu Xun, who in the dark also publicized resistance from an independent Protest the ＂revenge＂ spirit.