摘要
本文通过对库布里克整个电影创作过程中具有代表性的作品的分析,总结出库布里克的电影中旁白的几个特点:一、数量多;二、对画面重复叙述;三、用词(尤其是带感情色彩的形容词)经常与画面表现形成反差。正是经过这样的处理后,旁白像不怎么讨好但是又不辞辛劳的唠叨说教,催眠般地把观众的思绪紧紧抓住,导演的主观意识也得以自然而然地灌入,具有鲜明的教谕特色。而且,库布里克带悲观主义色彩的个性,使得他饱含教谕意味的电影旁白还带有非常独特的悲观主义色彩。
Through the entire process of representative works of analysis,Kubrick's films have been summarized in a few of the characteristics of narration. The author explains three features of its voiceover as follows,rich in numbers,narration on repeated scenes and words using(especially adverb and adjectives) often contrasting against what is shown on screen. It is through this kind of treatment that voiceover seemingly unpleasing but painstaking nagging grips the thoughts of the audience. The subjective will of the director will be naturally accepted with distinct teaching features. Moreover,with pessimism in Kubrick's personality,his films with didactic characteristics are also full of unique color pessimism.
出处
《艺术探索》
2008年第6期141-142,145,共3页
Arts Exploration
关键词
库布里克电影旁白
声画关系
教谕特色
voiceover in Kubrick films,relationship between screen and sound,didactic style characteristics