略论《文心雕龙》声律论对汉语诗歌的普适性

On the Adaptability of Rhyme Theory of Carving A Dragon at the Core of Literature(WENXINGDIAOLONG) to Chinese Poetry

《文心雕龙.声律》篇集中体现了刘勰的声律观,同时也是齐梁时代诗歌声律理论高度发展的集中体现。《文心雕龙》的声律论不仅是齐梁之前诗歌声韵规律的正确总结,而且也对其后发展出来的近体格律诗、词、曲,都有着高屋建瓴的指导意义。可以说,以"和谐"为思想核心的刘勰声律论,对于中国诗歌来说,几乎是"放之四海而皆准"的金科玉律。

Wenxingdiaolong-Rhyme wholly embodies Liu Xie＇s rhyme viewpoint and also a concentrated embodiment of the highly development of rhyme theory in Qi and Liang dynasties. The rhyme theory of Wenxingdiaolong is not only a correct sum - up of poetry rhyme before Qi and Liang, but also has guiding significance to the later metric poems, ci and qu. It can be concluded that Liu Xie＇s rhyme theory focusing on ＂harmony＂ is almost a golden rule adaptable to any poem so far as the Chinese poetry is concerned.