期待视野与美的断裂性存在

The Vision of Expectation and the Fracture of Beauty

二十世纪六十年代诞生于德国的接受美学不仅仅影响了美学研究,对文艺理论方面特别是对文学作品的鉴赏也起了一定的扭转作用。文艺活动不再停留在创作的阶段,也衍生到接受者的层面,"期待视野"作为一个文学转向的界碑,将人们从创作者的维度带到了接受者的视角。接受者的"期待视野"与艺术活动创作者的审美差异造成了艺术价值实现的受挫,引发了处于不同角色上的不同人对于艺术品价值的不同估量。本文主要是通过对"期待视野"理论的理解,分析艺术作品在接受者的接受过程中"美"的断裂的原因,并思考美之存在形态。

In the 1960s, the reception aesthetics was originated in Germany. This theory has not only affected the aesthetics studies, but also played a critical reversal role in the research on literature theory especially on literature appreciation. Cultural activities no longer remain at the creative stage, but also evolve to the level of the recipient. As a boundary mark to literature turnaround, the vision of expectation has made people think from the dimensions of creators to the recipient＇s perspective. The differences between the ＂vision of expectation＂ of recipients and the artistic aesthetic of creators have led to the frustration in realizing the artistic value, and then they have also result- ed in the different assessments on the value of the art among different people. In this paper, the authors mainly ana- lyze the causes of the fracture of ＂beauty＂ in the course of the reception by recipients, and discuss the existent forms of ＂beauty＂ through the theory on ＂vision of expectation＂.