摘要
唐代道教山水诗,以真实或想像的山水为审美对象。道教诗人在山水之间安置契道之心,通过修心、炼性实现其宗教目标,同时也达到情景交融、天人合一的审美境界。在唐代道教诗人的隐逸生活中,表现出超凡脱俗的时代理想和艺术化的人生追求。
Taoist landscape poetry of Tang Dynasty looked upon real or imaginary scenery as aesthetic objects.. Taoist poets reposed their beliefs in the nature. Through religious practice, they hoped to realize religious goals and reach the aesthetic ambit of the unity of Heaven and man （Tian Ren He Yi）. The reclusive lives of Taoist poets expressed their ideals free from vulgarity and their pursuit of artistic life.
出处
《四川大学学报（哲学社会科学版）》
CSSCI
北大核心
2008年第6期99-104,共6页
Journal of Sichuan University：Philosophy and Social Science Edition
基金
国家社科基金青年项目"隋唐五代道教审美文化研究"的系列成果之一
关键词
唐代
道教
山水诗
艺术化人生
Tang Dynasty
Taoism
landscape poetry
artistic life
