摘要
回顾彭燕郊70年的诗歌历程,以鲁迅为代表的"五四"新文学精神影响甚巨。"七月"时期,诗人便开始了对鲁迅、对"五四"的继承;其后,在经历了漫长的"炼狱"和"归来"的过渡时期之后,诗人于80年代中、后期明确地提出了向"五四"新诗传统回归的诗学主张,并通过自己的创作实践实现了这一回归。可以说,在诗学追求的层面上,"五四"建构了诗人独特的时间意识,诗人和时间的关系,可以简化、还原为和"五四"、和鲁迅的关系。
Review the seventy years poetry career of PENG Yan- jiao, the spirit of May Fourth literature which represented by LU Xun has the nuclear influence on it. When Among the poets entitled as "July Style", he had inherited the spirit of May Fourth literature and LU Xtm; Then, at the middle or later times in the 1980s, after had come through his long period of "spiritual inferno" and "returning", he claimed definitely to return to the tradition of May Fourth literature, and had achieved his aim by writing. Perhaps we can say that PENG Yah- jiao' s awareness of time about his poetry course is created by May Fourth, in other words, the relation between the poet and his time can be regard as the relation between the poet and May Fourth.
出处
《湘潭大学学报(哲学社会科学版)》
CSSCI
北大核心
2008年第5期116-121,共6页
Journal of Xiangtan University:Philosophy And Social Sciences
关键词
彭燕郊
创作历程
“五四”
PENG Yan- jiao
poetry career
May Fourth literature