巧镌筠筒主管城 明清竹刻笔筒艺术概说(下)

Survey of Brush Pot with Bamboo Carving during Ming and Qing Dynasty

雍正、乾隆年间制作竹刻笔筒成就最高的是周颢，他在技法上集嘉定派之大成，又自出机杼，援南宗画法入刻竹，终成合南北宗为一体、以刀代笔无不如意的新风貌，对后世影响很大。吴之墙及其以前包括三朱时期的竹刻笔筒作品，山水只作为人物背景的山石一隅而存在，在景深上为近景。

This paper reviews the art of brush pot with bamboo carving during Ming and Qing dynasty. Most of the brush pots introduced in the paper are collections from Shanghai Museum,and some of them are collections from Nanjing Museum,Art Museum of Chinese University of Hong Kong,the Palace Museum in Taibei,Suzhou Museum,Guang ong Museum of Folk Artwork.