摘要
“戏剧化”是艾略特诗学思想的典型特征。他的戏剧化诗学思想提倡解构主体、把主体意识客体化和诗歌文本本体化,主张思想智性化、想像感觉化,强调现实经验转化为诗性经验,最后在对生命体验的最具悲剧性的心绪中实现智性与情感的统一、理性与感性的协调、诗人与读者的融和。这些戏剧化诗学思想在他的创作中得以实践。
" Dramatization" is a typical feature of T. S. Eliot's poetry in which Eliot advocates the destructing of the subject and the objectifying of the subject's consciousness and the ontologizing of the form of the text, and insists on transmuting thought into intelligence and transmuting imagination into sense, and stresses the poetizing of the real experience, thus, making the unity and coordination of intelligence and sensibility, rationality and perception, and the collaboration and communication of the poet and the readers in the saddest feeling towards life. Eliot's thoughts of this kind are practiced in his verses.
出处
《外语与外语教学》
CSSCI
北大核心
2008年第12期31-33,共3页
Foreign Languages and Their Teaching
关键词
戏剧化诗学
诗化
知性
感性
dramatic poetry
poetizing
intelligence
sensation