摘要
彩陶艺术的萌生有其必然的条件和契机,是人类物质生产和精神生产协同演进的特殊反映。原始彩陶纹饰具有浓厚的神秘色彩,反映了史前人类的独特思维方式。特别是彩陶纹饰中的动物纹和人物纹,突出的显示出其内在的巫术实用性和功利性,虚无的神秘意义一跃成为了作品的前景,而审美的因素却退隐成了背景。
Initiation of painted pottery has its inevitable condition and turning point, which is the special reflection of col- laborative evolution of material production and spiritual production. Decoration of original painted pottery possessed strong my- stical color, and reflected the unique thinking mode of prehistoric humanity, especially in animal patterns and figure patterns, which distinctly show their intrinsic witchcraft's practicality and utilitarian functions. Windy and mysterious characters become works' foreground at a bound, while aesthetical factors withdraw to be the background.
出处
《宁波广播电视大学学报》
2008年第4期96-99,共4页
Journal of Ningbo Radio & TV University
关键词
彩陶
陶器
纹饰
原始思维
painted pottery
pottery
patterns
original thought