音乐审美主体的三性

Three Characteristics of Aesthetic Subject in Music Appreciation

我国古代音乐论著《声无哀乐论》和《淮南子》中都论述了音乐审美主体的接受差异问题,并充分肯定了这一现象的存在。而音乐审美的三性,即选择性、主导性和创造性就是音乐审美主体在审美过程中产生接受差异的主要原因。

The proposition of the acceptance differences of aesthetic subject in music appreciation was analyzed in Music Without Sorrow and Joy and Huai Nan Zi. The phenomena of acceptance differences of aesthetic subject in music appreciation was also affirmed in the two works. The analyses indicate that the aesthetic subject＇s choice and dominance may lead to the acceptance differences in the music appreciation, and the other reason is the creative ability of the aesthetic subject.