期刊文献+

黑格尔论悲剧的表现

Hegel's Theory of Tragedy Performance
下载PDF
导出
摘要 悲剧语言不同于平凡琐碎的日常语言,不同于宗教和科学用语,也不同于排斥想象主张抽象的哲学语言。由于悲剧语言创造的时代已经过去,创新就显得尤为必要。音律的运用就是悲剧语言创新的重要手段。正是由于上述特点,使得悲剧的表现不同于造型艺术和音乐的表现。 The concept of tragedy is different from day- to-day way of thinking and intuition, and it is the way of image manufacturing, is way of manufacturing specific images that can demonstrate ethical strength. In the way of concept, specific images and ethical strength is unity. Tragedy expresses by language. Tragedy language is different from ordinary day- to- day language, is different from the religious and scientific terminology, and is different from philosophy language that squeezes out imagination and claims abstraction. Since the creation era of tragedy language has passed, innovation is particularly necessary. The usage of temperament is an important means of tragedy language innovation. It is precisely because of these characteristics making the performance of tragedy different from the performance of plastic arts and music.
作者 孙云宽
出处 《新疆艺术学院学报》 2008年第4期75-77,共3页 Journal of Xinjiang Arts University
关键词 悲剧 观念方式 表现方式 音律 物质媒介 Tragedy Concept way Way of expression Temperament Material media
  • 相关文献

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部