摘要
《八郎探母》在杨家将戏中,乃是与《四郎探母》同源的剧目。在它产生、上演的过程中,因为不同演员、戏班和时期,它也呈现出不同的面貌。本文从新的资料入手,对《八郎探母》版本进行梳理,希望可以在此基础上,探查这一剧目发展的较为清晰的脉络,从而为进一步研究杨家将"探母"戏提供有利条件。
In the dramas about Yangjiajiang, Ba Lang Tan Mu is a play with the same resource of Si Lang Tan Mu. Owing to the various performers, drama schools and times, it presented different features in the process of its creation and performance. Beginning with the latest materials, this article lists systematically the various versions of Ba I.ang Tan Mu, aiming to get the sequence of ideas in the development of the play, providing advantages in the further research of Yangjiajiang's "Tan Mu" drama.
出处
《浙江工商职业技术学院学报》
2008年第4期29-32,共4页
Journal of Zhejiang Business Technology Institute
关键词
八郎探母
梅巧玲
杨月楼
三麻子
Ba Lang Tan Mu
Mei Qiaoling
Yang Yuelou
Sanmazi