唐代送别诗的修辞意象刍论

On the Rhetoric and Image of the Seeing-off Poems in the Tang Dynasty

唐代诗人在送别诗中常将诗歌修辞和诗歌意象完美整合,从而产生出意想不到的全新的审美意境。其中把水意象和比喻、拟人、夸张、对比等修辞手法结合起来表达离情别绪的最多。而春风、春色、落花、落叶、青山等,也都因与诗人的离别意绪在瞬间相吻合而被诗人捕捉为意象,辅以巧妙的修辞手法,创造出千古言情绝唱。

Poets in the Tang Dynasty often combined poem rhetoric and poem image perfectly in the seeing- off poems and thereby showed new aesthetic artistic conception. Most of the poems adopted the combination of water image and the rhetorical methods like comparison, personification, exaggeration and contrast in expressing sadness when departing. While, those like spring wind, spring scen - cry, fallen leaves and flowers as well as green mountains, would also appear as images in the poems due to their coincidence with the poets＇ departing thoughts, and thus with the artful rhetoric methods, such creative poetic masterpieces were born and remained popular through ages.