现代语境中的素描与当代工笔人物画

Linear Sketch and Contemporary Figure Painting of Brushwork

素描作为一种重要的造型手段,被引入中国工笔人物画的造型阶段后,对工笔人物画的发展起到了巨大的推动作用,从传统形态到当代形态的演进过程,打破了线条的局限,尤其在借助块面和明暗的作用等方面彰显灵活多样化特质。中国工笔人物画在线性素描训练中,已经不仅仅是原始粗犷单线,而是单线的叠加组合,带有韵律美、节奏感和写意味的组线和线群。代表中国画本体的工笔画,在画史上的地位日逐边缘化。在现代语境中,中西文化相互衍生、交融和共同发展,对中国绘画的价值趣味更从西洋画的表现方式,转向了从中国画中吸取中国文化的精蕴,让能体现中国人生命味道的东西变得活跃起来,正从绘画性转向了中国特有的书法性表达。

As an important form of modeling, sketch was introduced into Chinese meticulous brusliwork and thus played a great role in the development of brushwork figure painting. It broke the limitation of lines and showed the character of flexibility and variety. In the practice of linear sketch, brushwork figure painting was no longer composed of simple, rough lines, but of overlapping lines full of rhythm. On behalf of the mainstream of Chinese painting in the past, brushwork painting seems marginal in position now. However, in modern context, Chinese painting has transformed from the absorption of Western painting to the absorption of the essence of Chinese culture, from pure painting art to calligraphic art.