摘要
钟理和《故乡》系列四篇小说独立成章,却又有密切的联系,构成光复后台湾的社会写实画。其风景的冷峻、晦暗与鲁迅《故乡》有着惊人的相似,笔下的形象都是受到时代局限的与主人公有较为密切关系的悲剧式人物。他们身上有最为淳朴的一面,也有在世事沧桑下拘泥、古怪的一面。两个故乡互文性的最核心部分,在于钟理和与鲁迅在精神上的相通性。
The series of the four novels " Hometown" of Zhong Li - he has become the chapter independently, actually they have the close relation, It is constituted of social practical picture after Taiwan liberation and recovering, The solemn, gloomy scenery has astonishing similarity to Lu Xun's "Hometown". The writing image receives the time limitation and the master public comparatively close relation to tragedy type character. Their body has most honorable side, also has rigidly adhesion and strange side under the human vicissitudes. The most hard core of subject class for two hometowns lies in Zhong Li - he and Lu Xun's mutual and spiritual interrelation.
出处
《内蒙古大学学报(哲学社会科学版)》
CSSCI
北大核心
2009年第1期28-32,共5页
Journal of Inner Mongolia University(Philosophy and Social Sciences)
关键词
钟理和
鲁迅
《故乡》
互文性
Zhong Li - he
Lu Xun
Hometown
Inter - text