摘要
指出建筑的实现是多方面的合力作用,藤森照信便是典型代表,通过分析已建成的作品,提出了建造规模,建造材料,施工以及项目的委托人共同促成了这种"野蛮前卫建筑"的实现的结论,从而更好地实现建筑与自然的艺术性表达。
It pointed that building implementation was multi aspect resulting effect, and the Fujimori Terunobu was a typical representation. Through analysis built works, it concluded that the building scale, building material, construction and project bailer promoted commonly the implementation of barbarism and advanced building, to realize the artistry express of building and nature.
出处
《山西建筑》
2009年第2期41-42,共2页
Shanxi Architecture
关键词
艺术性
自然
建筑
委托人
artistry, nature, building, bailer
