论汉代拟骚体中的隐逸化倾向

Dicussion on the Seclusion Tendency of the Mimic of Quyuan’s Poetic Style in Han Dynasty

东汉王逸在《楚辞章句》中收录的汉代楚辞作品,都是祖述屈骚的模拟之作。这些作品在模拟的过程中沿着屈骚的游仙情节,大肆铺绘神仙幻境的离奇缥缈,在对游仙幻境描绘的指向上,丰富的想象和大胆夸张的游仙幻境被有意放大;同时,在游仙修德的想象中,以人间的社会现实为立足点,刻意将隐居仙境描绘得十分清新优美。但由于汉人已经少了屈原的那份执著与刚烈,这些拟骚体诗作在寓托屈原式思君贤臣之形象的哀怨主题、落拓志士远游自疏的情结时表现出了比较明显的隐逸化倾向。

All the works in The authology of Han Dynasty Chuci collected by Wang Yi in the Eastern Han Dynasty are all the ones imitating Quyuan＇s poems. These works, during the the process of simulation, depicted many fresh and beautiful fairy wonderlands in seclusion. However, the poems in Han Dynasty lacked for the same quality of Qu Yuan＇s stoutness and perseverance. So these poems showed a relatively clear seclusion trend.