摘要
艺术语言以其超越语法而显示出其自身的特点。它往往是发话主体心理情感的真实感受,是非程序化的言语形式。它的美是由心灵产生而再生的,它不仅满足美的要求,而且满足思想的要求。它是内在的,是心灵化的。它真切地反映了发话主体的情感体验。发话主体的情感体验反映了发话主体的情感个性,体现为其独特性和无雷同性。这种情感体现为一种无形的存在。它无形,但却具有表现自身的强大内驱力,它体现了发话主体的指向性,是发话主体的心理的言语行为。它超越了现实,也超越了发话主体自身,它不是对现实的描摹,而是发话主体的创造。这样,体现了艺术语言与科学语言的不同性。
Artistic language exhibits its features through a transcendence of grammar. It expresses the true psychic experiences of the discourse subject, with a non - programmed feature. The beauty of artistic language is originated and regenerated from the soul, satisfying the demand of beauty and mind. The psychic experiences of the discourse subject, exclusively uniclue in nature, reflect his or her sentiments and are actually his or her psychic speech act. This kind of sentiment is embodied as an intangible existence. Though intangible, it has a giant driving force to manifest itself. It embodies the reference of the discourse subject and is actually his or her psychic speech act. It transcends the reality as well as the discourse subject. It is the creation of the discourse subject rather than an imitation of the reality. Artistic language is thus differentiated from scientific language.
出处
《学术探索》
CSSCI
2008年第6期94-97,共4页
Academic Exploration
关键词
艺术语言
情感体验
超越性
心理图式
审美
artistic language
sentimental experiences
transcendence
psychic schema
aesthetics