论东坡词创作游戏化及其意义

On Dong Po's Ci(词)Creation and Its Significance

苏轼大量以游戏之笔入词,被誉为"为游戏之圣"。其游戏之作共四十一首,占全部作品的九分之一强。苏轼的戏作在当时影响了很多词人,对徽宗时期的御用文人及词作的影响最为明显。苏轼虽然以游戏作词,但决不小看词;相反,这种游戏化的创作方式,引导词体摆脱音乐的束缚,使欣赏者的重心由音乐转向文本自身,从而发展为一种独立的文体。从词体演进和词史发展的高度来审视这种创作和这些作品,其意义是不容小觑的。

Su Shi is praised as ＂sage of jocosity ＂ in his creation. His forty-one ci（词） covers more than 1/9 of all works, a large proportion of his ei（词）. Su Shi＇s works influenced many poets in his time, especially the writers for the use of emperor in Hui Zong period. Su Shi never belittles ei（词）, instead he writes ci（词） without being bound by chains of music so that the reader＇s attention moves from music to the text to form his own style. It is of significance to study such a creation and works from the development of word style to word history.