摘要
1990年代以来的家庭伦理剧是一种颇受欢迎的大众文化形式,在家庭伦理剧中,父子、夫妻、兄弟姐妹之间的复杂纠葛成为其叙事主线,并由此而表达了复杂的文化意蕴。家庭伦理剧通过"夫妇之伦"这一叙事主线,对当下中国现实图景以大众文化的形式做了自己的表达;通过性别建构的各种策略,家庭伦理剧复制了男女两性的性别"神话"、表达着吸纳了情感自由伦理的传统责任伦理。
The family-ethics teleplay has been a main type of popular culture since 1990s, which expresses complex culture meaning. Taking conjugal relation as the main clue, this paper concludes that the teleplays directly impress on the audience the impression of a family wandering in a changing world. The present study holds that family-ethics teleplay not only expresses a ＂myth＂ of conjugal relation, but also constructs traditional ethics which absorb liberal ethics.
出处
《西南政法大学学报》
2008年第6期121-126,共6页
Journal of Southwest University of Political Science and Law
关键词
家庭伦理剧
夫妇之伦
性别建构
family-ethics teleplay
conjugal relation
gender construction
