摘要
近三十年的散文是对五四文学的一次回归,老一代作家与学者在此起到了主导作用。鲁迅传统与周作人传统在一些人的创作里得到强化。一些思想者的作品注入了精神的活力,他们从自我出发颠覆了"文革"艺术虚假的理念,将个体感受和社会承担统一起来。在此基础上,散文出现了多种可能,一些新的文体填补了白话文书写的空白。那些直面人生的作品赢得了读者的喜欢,一些智者的随笔也在冲击着八股写作的旧垒,显示了思想的锋芒。年轻一代的散文越来越有活力,不再匍匐在前人脚下,个性鲜明耀眼,把不羁的热情留在文坛之中。多样性与丰富性预示着未来文学的另一种格局。当代散文在现代散文传统的暗示下,有着不可限量的未来。
Chinese prose in the recent 30 years can find itself in the literary works during the period of "May 4th Movement", and the old generation of writers and scholars play an important role in writing the recent Chinese prose, in which you can find the literary tradition set up by Lu Xun and Zhou Zuo-ren. Some passages of prose are filled with spiritual meanings, integrating personal experience into social responsibility, and meanwhile, some new types of prose begin to appear to directly reveal the current problems in life and to pull down the traditional wordy style of Chinese writing. The recent Chinese prose, which is full of the writer's individuality and strong enthusiasm, is becoming more and more different from the old type of Chinese literary works. Contemporary Chinese prose has an alarmingly bright future with its diversity in style and richness in content.
出处
《渤海大学学报(哲学社会科学版)》
2009年第1期19-25,共7页
Journal of Bohai University:Philosophy & Social Science Edition
关键词
鲁迅传统
周作人传统
载道
言志
tradition set up by Lu Xun
tradition set up by Zhou Zuo-ren
wide-spread publicity
embody one's ambition