摘要
凤翔泥玩是陕西关中地区特色鲜明的民间艺术形式,其造型多来源于我国历史悠久的传统设计纹饰。凤翔泥玩以独特的雕塑、设计语言和个性化的色彩语汇阐释了民俗审美意趣,达到了形式与内容的完美结合,在设计艺术层面也为我们提供了不可多得的参考借鉴价值.对其进行对比研究,可以促进当代设计艺术不断吸取民族传统文化的精华,深化艺术表现的内涵,突出当代设计的民族特色。
Fengxiang tiger face artistic form leaves the womb not only in our country's long history, but also the form unique animal mask model, it has inherited the symmetrical balanced specific form, moreover through sprightly, succinct and the broad color vocabulary have carried on the personalized performance, entrusted with its folk cultural jubilant and cheerful color, formed its own unique artistic feature, achieved the form and the content perfect union, manifested the beauty of art rule, happened to hold the same view with the contemporary design's artistic pursue and inherited. Through explaining and reseaching both of them in artistic performance stratification plane's blending with the penetration, it can promote the contemporary design art to absorb the essence of the popular tradition culture unceasingly and deepen art performance connotation so as to highlight its national characteristics, thus it enables the contemporary design art to have the national characteristic and the modernized characteristic, and enrich the artistic form multiplicity.
出处
《西北大学学报(哲学社会科学版)》
CSSCI
北大核心
2009年第1期I0005-I0008,共4页
Journal of Northwest University:Philosophy and Social Sciences Edition
关键词
凤翔虎脸
造型
民俗色彩
设计艺术
Fengxiang tiger face
Modelling
folk-Color
design art