文学创作的自觉时代始于先秦

Literarily-creative-consciousness began Pre-Qin dynasty

为了深入探讨中国文学自觉起于何时这个具有理论、实践双重意义的命题,通过文献解析与古代文学创作文本考察的方法,认为文学的自觉是文学发生学方面的话语,从先秦文学的创作实际状态来看,当时的文学创作就和魏晋以后的文学创作没有本质的区别,所不同的是先秦的文艺理论儒家审美思想占据主导,对当时的创作作了一些扭曲性的诠释,对文艺提出政治功利性要求,这种文化取向在宗法社会有其历史的必然性,对社会文化进行资源整合为人类福祉服务,是社会一种理性的选择,也是统治阶级对文学的期许。但是,社会对文学的期许,或政治家们对文化的理想,与文人们创作心态没有必然的联系,魏晋文学实际也没有完全脱离"寓训勉于诗赋"的政治功利性色彩。

One thought on the proposition when the Chinese -traditional- literary -creation -consciousness begins is that there are two times; one before the Qin dynasty which is regarded as without any consciousness in the literary produetion, another after the WeiJin dynasty which is considered to be in the strong consciousness in the literary prgduetion. Strong view on this issue from the author is that not only in the pre - Qin dynasty＇s literary but also in the post- WeiJin dynasty＇s literary, no differenee exists both in its eontents and expressions, the only distinctness on it is the different aesthetic views from the critics - for the pre - Qins＇, Confucian aesthetie plays a leading role, meanwhile causing some distorted explanation and description in that contemporary literary, whieh eomes from some analysis on the ancient literature and the method on the study of basis - literary - creation.