斯克里亚宾“神秘和弦”形成过程与结构形态

On the Formation Process and Structure of Scryabin's Mystic Chord one Method

斯克里亚宾从继承浪漫派后期的音乐手段和风格开始他的音乐创作生涯,经过不断地探索,逐步形成了具有他个人特性的音乐语言风格。在他一生的创作历程中,他在继承和拓展传统调性和声思维的基础上,创造了一种融传统与现代意识于一身的和声手法——以神秘和弦为核心因素的、以四度音程叠置为和弦主体结构的"调性和声",斯克里亚宾晚期音乐的多声部手法基本是建立在这样的调性和声基础上。本文试图通过对"神秘和弦与泛音列的关系"、"主和弦(神秘和弦)的运用"两个方面的阐述,对斯克里亚宾"神秘和弦"的形成过程与主要结构形态,以及神秘和弦在实际作品中的主要运用特点作些初步的探索和归纳。

Aleksandr Skryabin created tonal harmony, the mystic chord in altered 4ths c-f-b-e＇-a＇-d- as a nuclear element, which combined the traditiona and modern consciousness. Skryabin used similar chord formations as a basic element of his harmony in his late music work. The paper discussed both of the relations between the mystic chord with the harmonic progressions and application of tonic chord, namely, mystic chord. It also explored and sum up the mystic chord with the formation process and structure, the main characteristics in his factual music.