摘要
文章通过历史文献、作曲实践、形态发展、作品剖析,论述了千年来我国戏曲作曲史的动态规律;并从音乐结构、旋律写作、过门发展、主题创作、调式调性驾驭、性格化创作等方面阐述了诸多的具有民族特性的作曲技术与技巧问题。
Through the historical literature, composition pratice, developing of modality and work analyse ,the paper discussed the dynamic rule of composition for Chinese traditional opera in thousand years, and explained the composition technique with the features of nationality in aspects such as music structures, melody writing, passage developing, subject creating, and the others.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2009年第1期101-114,共14页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
戏曲作曲
黄金时期
大变革
变奏曲
扬调
屈调
composition for Chinese traditional opera, golden time,revolution, variations