摘要
《水浒传》复杂而矛盾的接受史源自于该书丰富的文化内涵,大体而言,儒文化和侠文化是其中最重要的思想主干。基于理性精神的儒家文化和基于感性冲动的侠客文化,既矛盾又统一地存在于宋江等主要人物身上,使个体的心理结构呈现为一种血性与理性相互交织的秩序。这是《水浒传》中儒、侠文化的基本表现形态。
The complex and contradictory acceptance of main characters in Heroes of the Water Margins (one of the four famous Chinese classical works) originates from rich cultural embodiment of this book, of which, generally speaking, the Confucianisr culture and warrior culture account for the most important core. Confucianist culture based on ration and warrior culture based on perceptual impulsion, find their best expression and unification in main characters, such as SONG Jiang, who demonstares the contradiction and unification of ration and impulsion. This is the essencial form of the Confucianist culture and warrior culture in Heroes of the Water Margins.
出处
《十堰职业技术学院学报》
2008年第6期62-63,共2页
Journal of Shiyan Technical Institute
关键词
水浒传
儒文化
侠文化
理性
血性
心理结构
confucianist culture
warrior culture
rational
impulsion
mental structure