论桑桐早期新音乐的和弦结构

The Chord Structure of Sang Tong's Early New Music

桑桐是我国著名的作曲家、和声学专家、音乐教育家,在我国新音乐创作的发展中占有重要的地位。从桑桐早期的《林花谢了春红》、《在那遥远的地方》、《夜景》三首作品来看,虽有较多传统形态的和弦,但也尝试运用半音和三全音构成的和弦以及纯四度与三全音叠加的和弦来取代传统的三度叠置结构和弦,推动了中国新音乐的发展。

Sang Tong as the famous composer, specialist in harmony and, and music edueationalist, plays an important role in the development of new music composing of our country, in his early compositions he used more traditional chord, and tried to take the place Of traditional third superposing chord by using the chord which consist of semi tone and tri-tone or perfect fourth piled up with tri-tone, and pushed on the development of Chinese new music.