摘要
《玉簪记》女主角陈妙常是人们所熟知、公认的一个敢于反宗教、礼教,追求自由恋情的艺术形象。但其宗教身份的不确定性及符合封建礼教的"指腹结姻",使之带有一定复杂性。不拘生活真实的戏曲创作现实和"美形取胜"的戏曲美学特征使作者对形象采取"易貌留神"的艺术处理,明代社会状况和宗教礼教文化对作者思想产生深刻影响。
Being the heroin in "The Story of Jade Hair Clasp", Chen Miaochang is well recognized as an artistic image that has the courage to protest against religion and feudal ethics and rites in pursuit of free love. However, the uncertainty of her religious identity and the "arranged and forced pre - birth marriage" makes the image complicated in certain way. Owing to the play writing reality which is not stick to the real life and the "Image First" drama aesthetics, the author modifies the image artistically by changing the character's appearance while maintaining her spirit. The social condi- tion, religion, feudal ethics and culture
出处
《阴山学刊》
2008年第6期37-39,80,共4页
Yinshan Academic Journal
关键词
高濂
《玉簪记》
陈妙常
形象转变
Gao Lian
"The Story. in Ming Dynasty have fundamental influence on the author of Jade Hair Clasp"
Chen Miaochang
Appearance changing