摘要
通过对中国写意人物画中"不似之似"的理解与界定,阐述了"不似"与"似"的关系;并通过实例的分析与证明来说明"不似之似"是中国写意人物画意象造型观的本质特征。
This paper gives a definition of resemblance of non-resemblance, expounds non-resemblance and resemblance, and discus- ses and points out that the resemblance of non-resemblance is the fundamental feature of the shape perspective of image in Chinese free- hand figure, which accords with Chinese understanding and aesthetic requirements, with a Chinese characteristic, which we should stick to in our artistic practice.
出处
《南京工业职业技术学院学报》
2008年第3期46-47,共2页
Journal of Nanjing Institute of Industry Technology
关键词
写意人物画
意象
不似之似
特征
freehand figure painting
image
resemblance of non-resemblance
resemblance