司空图的诗歌意境理论

Sikong Tu's Theory of the Mood of Poetry

在中国古代美学的诗歌意境理论史上,司空图的地位无人能比。他是诗歌意境理论的集大成者,就他的整个理论来讲,他像前人一样认为意境是诗的本体,在继承前人的基础上界定了意境的内涵,开创性地划分了诗歌意境的类型。这三方面奠定了他在中国美学史上的地位。

No one is possible to surpass Sikong Tu in the history of the mood of aesthetic theories of China, whose aesthetic theories of the mood are a synthesis of the aesthetic theories of the mood of the former scholars. His whole theory includes the idea that the mood of poetry is a ontological thing, He also defines the mood of poetry, and creatively divides the mood of poetry into different categories. These three factors lays a foundation of Sikong Tu＇ s position in the aesthetic history of China.