摘要
绘画的空间表现问题是艺术创造以及艺术理论研究的重要问题之一。在人的对象化"视界"与心灵"化境"所构筑的双重"空间场"的意义上,以空间为存在方式的绘画艺术就其实质而言是绘画主体对"空间事物"存在方式的意象性把握与美艺性创造,主要表现为绘画主体在具体的视觉对象与个性化审美心理的基础上运用多维绘画技法实现对"空间事物"的艺术展现。
The drawing spatial performance question is the artistic creation as well as one of artistic fundamental research important questions. In human's object "the world of visibility" dual "the spatial field" which "the stage of perfection" constructs with the mind in the significance, take the space as existence way drawing art speaking of its essence is the drawing main body the existence way image grasps to "the spatial thing" with the beautiful skill creation, the main performance for the drawing main body utilizes the multiple drawing technique realization in the concrete visual object and in the personalization esthetic psychology foundation to "the spatial thing" the artistic reappearance.
出处
《吉林师范大学学报(人文社会科学版)》
2008年第6期119-121,共3页
Journal Of Jilin Normal University:Humanities & Social Science Edition
关键词
中西现代绘画
空间表现
多维性
China and the West modem drawing
Spatial performance
Multi-dimensional