狂欢化视角下的《我弥留之际》

An Interpretation of Faulkner's As I Lay Dying in the Perspective of Bakthin's Carnivalesque Theory

巴赫金的狂欢化理论主要关注文学中丑的、滑稽的、边缘的并让它们占领文学批评舞台的中央。它强调对话、更替和相互转换,这对于解剖单一文本提供了独特的视角。从狂欢化视角对《我弥留之际》做新的解读,分析其叙事、结构和体裁上呈现出的狂欢化特征,可以将《我弥留之际》的狂欢化特征归纳为复调、两重性和死生交替。

Bakthin＇s carnivalesque theory focuses on the ugly, the funny and the marginalized in literary works and brings them into the limelight of literary criticism. It emphasizes dialogue, replacement and change, which provides a distinctive perspective for textual analysis. To make a new interpretation of As I Lay Dying by Faulkner, and reveal the carvelesque features of the novel in terms of narration, structure and genre, in the perspective of Bakthin＇s carnivalesque theory, the carvelesque features of the novel can be generalized in three aspects-duality, polyphony and alteration.