期刊文献+

漳州布袋戏传统戏台的形态

The Shapes of Traditional Stages for Zhangzhou Budai Puppet Show
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摘要 布袋木偶戏戏台设计艺术是布袋戏艺术的分支艺术,应与布袋木偶戏表演艺术一样受到重视。漳州布袋戏传统戏台的形制及戏台设计的历史沿革可以分为布袋戏戏台的初始形态、坐式单弄时期的窗式戏棚形态、坐式双弄时期的牌楼式戏棚形态。从一个侧面可以看出布袋戏戏台的艺术发展规律,布袋戏戏台的形制结构受到布袋戏表演形式的限制,布袋戏戏台与布袋戏表演方式是相互促进、互为依存的关系。 The art of designing stages.for Budai Puppet Show is a branch of Budai Puppet Show art, to which as much importance as the show art itself should be attached. The changes and development of Zhangzhou Budai Puppet Show stages include the initial form, window stage tent form for postures of solo - sitting performer and the decorated archway form for postures of double - sitting performers. From this, a law can be drawn : the forms and structures of Budai Puppet Show stages are restricted by the performing forms and both of them are inter - promotional and interdependent.
作者 郑雷莹
机构地区 漳州市木偶剧团
出处 《集美大学学报(哲学社会科学版)》 2009年第1期82-86,共5页 Journal of Jimei University:Philosophy and Social Sciences
关键词 漳州布袋戏 传统戏台 形制结构 发展规律 Zhangzhou Budai Pappet Show traditional stage form and structure development law
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