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崇雅复古——明代诗人王越的创作趣尚 被引量:1

Elegance and Classic Adoration——The writing Orientation of Ming Dynasty’s poet WangYue
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摘要 王越是明代的台阁重臣,其创作虽一定程度上受到台阁诗论与创作的影响,但他强调"浩然之气",追求道与古人相合,并随着个人生活环境由台阁转入边塞,其诗歌创作也明显具有了向儒雅文学复归的特征。 WangYue is a high-ranking official in Ming Dynasty,his poetic theory and creation was to some extent affected by the Tai-ge style. However, along with his emphasis of "noble spirit" and his personal living environment from royal court to the frontier fortressl,the characteristic of the elegant literary form were obviously presented in his poetic creation .
作者 程莉萍
机构地区 黄山学院人事处
出处 《黄山学院学报》 2008年第6期71-74,共4页 Journal of Huangshan University
基金 黄山学院科研项目"明代京畿作家研究"(2007xskq041)
关键词 王越 浩然之气 复古 WangYue Noble spirit Classicist School
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参考文献2

  • 1(明)杨 荣.文敏集[M]上海古籍出版社,1991.
  • 2(明)陈子龙等编,上海文献丛书编委会.皇明诗选[M]华东师范大学出版社,1991.

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