从谢灵运的山水诗看刘宋初期士人审美心态的转型

On the Easthetic Lyricism in the Early Period of Liu-Song from the Landscape Poetry by Xie Lingyun

谢灵运的诗以情感的方式摹山状水,重启诗歌的抒情性,再次体现出"人"的主体性。把人的情感寄寓山水之间,一方面他们在有意寄托,另一方面又无意间不自觉的抒情。这种不自觉的抒写,与作者的写作初衷是有距离的,这一距离恰是中国诗人思想境界、审美趣味的不自觉提升的高度。他的诗中尚残留有玄言余绪,但仍不失清新自如,这也恰恰反映出这一时期审美转型的特点。

Xie ling-yun described mountains and rivers with emotion and reopened the lyricism and presented the subjectiveness of human again. He placed human＇ s emotions on mountains and rivers consciously and subconsciously, and the subconscious writing was away from his original intentions. Whereas the distance is very the subconscious enhancement of the Chinese poets＇ poems reflects the transition of the thinking and taste. Additionally, the remains of the Metaphysical complex in his characteristics in aesthetic this period.