摘要
西方形而上学美学对于自然美的运思,寄寓着主体性哲学和人类中心主义的强权逻辑,表现出对于自然美的轻视。而现代生态美学又完全地颠倒了这种逻辑,将自然悬置于主体之上,刻意地消解主体的意义和价值,认为自然美是高于任何美的存在形式。因此,对于自然美的阐释和理解,迄今为止呈现的是单一性和线性思维原则。其实,自然美和诗性主体是同一性存在,它是主体意向性的呈现。换言之,自然美是主体的诗意和智慧的自我求证,是人类精神对于现象界的提问和想象。
The operational thought for natural beauty in the Western metaphysical aesthetics indicated the subjectivity philosophy and the anthropocentrism logic, showing the contempt of natural beauty. However,the modern ecological aesthetics, which reversed the logic completely, suspended the nature upon the subjectivity, and deliberately deconstructed the meaning and the value of the subject, considering natural beauty was higher than any other forms. Therefore, the interpretation and understanding of natural beauty has still presented a principle of singularity and linear thinking. In fact, Natural beauty and poetic subjectivity exist identically, being the presentation of the subject intention. In other words, natural beauty is the self-confirmation of the subject’s poetic wisdom, and is the questions and imagination of the human spirit to the phenomenon.
出处
《浙江社会科学》
CSSCI
北大核心
2009年第1期106-110,115,共6页
Zhejiang Social Sciences
关键词
自然
主体
美
诗性
智慧
Nature, Subject, Beauty, Poetic, Wisdom