现实的失落与历史的追寻——家庭剧对父性表现的双重视野

Loss in Reality and Tracing of History——Representation of paternity in family drama from double perspectives

在传统的文化视域中,父性是权力的象征。然而,随着人类历史的发展,父性的权威不断失落。和西方国家相比,东方国家现代性的步伐稍慢,父性的失落稍晚。但是,从宏观的角度上考察,父性仍呈现失落的趋势。中韩家庭剧中对父性进行艺术的表现,反映父性在当代生活中的失落。父亲形象在家庭剧中缺席,父亲成为生活的弱者和沉重的罪身,父亲被剥夺作为父亲的权利,在父子冲突中父性的权威逐渐失落。现实中父性的失落促使中国人回眸历史,寻找父性的记忆、关于激情和生命力的故事。

From traditional perspective, paternity is a symbol of power. However, with the development of human history, the authority of the father is losing. Compared with Western countries, Eastern countries have a slow pace of modernity and a later loss of paternity. However, from a macro point of the observation, we still find paternity has a trend of loss. The family drama in China and South Korea has aesthetic representations to paternity, which reflects the loss of paternity in contemporary social life. Father image is absent in family drama; father becomes the weaker of life and has a heavy crime body. Father is deprived of his rights as a father; his authority has gradually lost in the conflict between father and son. The loss of paternity in reality causes the Chinese people to review history and seek memory about paternity, which is the story of passion and vitality.