从“无中生有”到“有中生无”——西方当代艺术创作观念的转换

FROM "CREATE SOMETHING FROM NOTHING" TO "CREATE NOTHING FROM SOMETHING" On Shift of Art Creation Conception in Contemporary West

随着理性主义在当代的日渐崩溃,西方艺术创作观念逐渐从把握事物之间同一性、普遍性的"无中生有",转换为重视事物之间相通性、相关性的"有中生无"。挪用、复制、拼贴等艺术行为应运而生。任何对象都蕴涵审美因素,在传统的艺术观念中这一点被遮蔽了,挪用、复制、拼贴等正是对这一现象的深刻洞察。把握的方式不同,对象的性质就会不同。上下文关系的转换,使得一切事物都可以成为艺术品。

Along with the collapse of rationalism, art creation conception in contemporary West gradually shifts from ＂Create Something from Nothing＂ to ＂Create Nothing from Something＂. The former emphasizes the identity and universality between objects, and the latter emphasizes the interlinkedness and relevance. Divert, copy and collage arise as art behaves. Any object contains aesthetic factors, and this has been camouflaged in traditional art conception. Divert, copy and collage and so on are precisely profound insight of this phenomenon. Different way to grasps objects, different nature objects will show. And the shift of the context makes everything artwork.