摘要
在梳理互文性的理论源起和流变的基础上,本文以北爱尔兰诗人朗利的诗歌所蕴含的互文策略为主要研究对象,阐明互文性对文学创新的积极意义,对"作者之死"派学者所标榜的互文性使作者的创作主体地位彻底丧失殆尽的观点进行了反驳。
Based on an introduction to the origin and evolution of the theory of intertextuality, this article examines the strategy of intertextuality as employed in Michael Longley's poems, hoping to confirm the positive influence of intertextuality on literary innovation. The ultimate purpose of this paper is to refute the notion of "the death of the author" which claims that intertextuality has totally destroyed the subjectivity of the author.
出处
《当代外国文学》
CSSCI
北大核心
2009年第1期81-87,共7页
Contemporary Foreign Literature
关键词
迈克·朗利
互文性
诗歌
Michael Longley, intertextuality, poetry